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Hand coloured transfer printed on wood, lacquer finish (ex-display : has a small chip to lacquer on underside) New one : lead time tbc, £3760

Hand decorated transfer printed on porcelain.

Hand decorated transfer printed on porcelain.

Hand decorated transfer printed on porcelain.

Hand decorated transfer printed on porcelain.

Hand decorated transfer printed on porcelain.

Hand decorated transfer printed on porcelain.

Hand decorated transfer printed on porcelain.

Hand decorated transfer printed on porcelain.

Lithographic print

Italy Lithographic zinc plate

Lithographic zinc plate

Gilt and hand coloured transfer printed on metal

Hand coloured transfer printed on porcelain

Gilt and hand coloured transfer printed on porcelain

Nickel finish, bevelled edge mirror

Black perspex with white and blue backlit perspex projecting rectangles

For Salviati Coloured and transparent glass on black glass base

Note: Talented across a multitude of disciplines (city planning, engineering, theoretical discourse), Giordani was also an active contributor to publications addressing architecture and urban strategy. One magazine, 'Architettura' in their July - August 1955 issue, illustrated furniture Giordani only designed in the first half of the 1950s. These works, during this brief period, are animated by dynamic angles and balanced asymmetry.

Woven grasses and textiles with copper wires

Woven grasses and textiles with copper wires

Cibachrome print Dye destruction print. Photograph using recycled household products. (ESG before its time) Limited edition of 3 + AP Note: An example of this photograph is in the permanent collection of the Victoria & Albert Museum: "Whether Head is working with photography, installation or painting, his art is underpinned by concerns about human relationships with the world. During the 1980s he began to explore the tension between the organic and artificial in consumer culture. His apocalyptic 'toxic' landscapes serve as metaphors for our polluted environment. Deliberately exploiting the saturated colours of advertising, these images both appeal and repel." Tim Head was one of the artists representing GB at the Venice Biennale in 1980.

With certificate of authenticity Limited edition no. 1/10

Limited edition no. 1/10

Concrete, metal, and stone and brass inlay

Fo Georg Jensen Sterling silver

For Georg Jensen Sterling silver

For Georg Jensen Sterling silver, with blue enamel

For Georg Jensen Sterling silver, with green enamel

For Georg Jensen Silver gilt

for Dino Gavina (Edizione Ricerche Bologna) Limited edition no. 37 / 150

Brushed stainless steel and glass Desk: H 73.5 / Top 140 x 79 cm Side Table: H 63.5 / Top 60 x 40 cm

From the 'Infinity' series Limited edition inkjet on Hahnemühle paper 308 gsm In white wood frame

Limited edition 9/10 From the 'Infinity' series Inkjet on Hahnemühle paper 308 gsm Unframed

C-print photograph on paper Limited edition no. 10/12

Bronze with glass top

White veined marble

Pyrite and Brazilian Shiste on metal base

For Quattrifolio Design White glass shade on silver metal drum base

For Quattrifolio Design White glass shade on silver metal drum base

Glazed ceramic

Enamelled panel in 6 elements (mounted on wood)

Screenprint in colours, from an original painting

Screenprint from the original 1977 painting

For Salviati, Italy Cased dark brown glass cut back to reveal umber-coloured glass

Hand-formed wire sculpture of a red fox, finished in red enamel paint.

For Airborne, France From the iconic seating designs by Olivier Mourgue featured in Stanley Kubrick's '2001: A Space Odyssey' in 1968. Steel frame padded in foam and re-covered in turquoise Kvadrat fabric, on steel bar 'feet'. Chair: H 66 / W 68 / D 68 cm Footstool: H 38 / W 68 / D 66 cm (seat H 34 cm) Mourgue, who trained in Paris and Scandinavia, was captivated by abstract sculptural forms made possible by advances in plastics manipulation. Combined with a pop-art aesthetic (also espoused by his contemporaries Verner Panton and Pierre Paulin), Mourgue's colourful furniture padded in foam over a steel frame, are egonomic embodiments of 1960s design.

Unique piece Hand-coiled ceramic body with burnished surface

For Mazzega, Murano Free-form clear and green glass H 23 cm

For Mazzega, Murano Free-form clear and white glass

For Mazzega, Murano Free-form clear and white glass

For Mazzega, Murano Free-form clear and white glass

For Gone Rural, part of a project 'The Song of the Weaver' woven grass, hand-coloured

With Duniake fabric by Phoebe Boswell Limited edition no. 3/200 Moulded birch plywood

Re-calibrated and painted oil drums

Model no. 11480 For Seguso Vetri d'Arte Sommerso glass

For Seguso Vetri d'Arte, Model no. 12766 Exceptionally large purple glass vase.

Italian For Seguso Vetri d'Arte Model no. 9825 'Triennale' Sommerso glass cased in red